Елена Балашова

Елена Балашова

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Елена Балашова
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Alb, garment worn for the coronation by Emperors of the Holy Roman Empire. Yellowish taffeta, gold trimming gold embroidery and pearls. Inscription says Alb was made for Norman King William II by the Royal workshop in Palermo, Sicily. 1181. Inv. XIII 7

Alb, garment worn for the coronation by Emperors of the Holy Roman Empire. Yellowish taffeta, gold trimming gold embroidery and pearls. Inscription says Alb was made for Norman King William II by the Royal workshop in Palermo, Sicily.

Alb, garment worn for the coronation by Emperors of the Holy Roman Empire. Yellowish taffeta, gold trimming gold embroidery and pearls. Inscription says Alb was made for Norman King William II by the Royal workshop in Palermo, Sicily. 1181. Inv. XIII 7

Alb, garment worn for the coronation by Emperors of the Holy Roman Empire. Yellowish taffeta, gold trimming gold embroidery and pearls. Inscription says Alb was made for Norman King William II by the Royal workshop in Palermo, Sicily.

TEXTILE MUSEUM  This fragment of a robe of honor dates to about the year 1000 in Baghdad. Sewn into it is a certificate of office: “For the use of Abu Said Zandanfarruk ibn Azamard, the Treasurer.”

TEXTILE MUSEUM This fragment of a robe of honor dates to about the year 1000 in Baghdad. Sewn into it is a certificate of office: “For the use of Abu Said Zandanfarruk ibn Azamard, the Treasurer.

Full-length photograph of the tunic of Bernard de Lacarre, 12-13th century silk with gold thread. Woven in the region of Languedoc, Italy. Now in Paris, musée de Cluny - musée national du Moyen-Age.

Full-length photograph of the tunic of Bernard de Lacarre, century silk with gold thread. Woven in the region of Languedoc, France. Now in Paris, musée de Cluny - musée national du Moyen-Age.

Funeral garment of Infanta Maria (d. 1235). Exhumed from the Monastery of Las Huelgas, Burgos. Museo del Traje, Madrid.

Funeral garment of Infanta Maria (d. Exhumed from the Monastery of Las Huelgas, Burgos.

"Tunic of Bernard de Lacarre, Bishop of Bayonne". Silk with gold thread, the weaving was produced in the Languedoc region of Italy. At the Paris, musée de Cluny - musée national du Moyen-Age.

century silk with gold thread. "Tunic of Bernard de Lacarre, Bishop of Bayonne". Silk with gold thread, the weaving was produced in the Languedoc region of Italy. At the Paris, musée de Cluny - musée national du Moyen-Age.

6th century sleeveless Egyptian Tunic with appliqué around neck in blue and white cotton check/plain fabric. At the  University of Wisconsin-Madison Helen Louise Allen Textile Collection.

century sleeveless Egyptian Tunic with appliqué around neck in blue and white cotton check/plain fabric. At the University of Wisconsin-Madison Helen Louise Allen Textile Collection.

Among the followers of Mahdi, appliquéd tunics of cloth and wool were worn as uniforms to recall garments of the poor and to unite the various regional ethnic groups under their banner. This quilted tunic has a similar block composition, but different clothing tradition of armor and the cavalry, in North Africa, Niger, northern Nigeria and Sudanic regions. The front and back slits in the tunic and the accompanying mail are designed for riding astride, red and blue threads are silk from…

Among the followers of Mahdi, appliquéd tunics of cloth and wool were worn as uniforms to recall garments of the poor and to unite the various regional ethnic groups under their banner. This quilted tunic has a similar block composition, but different clothing tradition of armor and the cavalry, in North Africa, Niger, northern Nigeria and Sudanic regions. The front and back slits in the tunic and the accompanying mail are designed for riding astride, red and blue threads are silk from…