Victoria Bau

Victoria Bau

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“ Martin Margiela autumn / winter 1993-94 For its 10th collection, the Maison replaced the usual show with a film. Seven women, each in a setting that typifies her. To mark its tenth season, Maison Martin Margiela decided to create an...

“ Martin Margiela autumn / winter For its collection, the Maison replaced the usual show with a film. Seven women, each in a setting that typifies her. To mark its tenth season, Maison Martin Margiela decided to create an.

Martin Margiela spring / summer 1994  “Choose the best of five years, dye the whole thing, put it in an ex-supermarket and show it again. Interrupt the flux. Don’t go with it. Don’t feed the ferocious hunger. Resist. It works. I want a second set of every piece in grey. There is a structured thought behind every presentation. It is always intelligent.” — Marina Faust  Anders Edström. L’hiver de l’amour bis

vroomheid: “ Martin Margiela spring / summer 1994 “Choose the best of five years, dye the whole thing, put it in an ex-supermarket and show it again. Interrupt the flux. Don’t feed.

Martin Margiela inevitably here and now. A personal account from Marina Faust. Purple fashion number 2 1997

Martin Margiela inevitably here and now. A personal account from Marina Faust.

I DON'T WORK FOR MONEY I WORK FOR ART | CONCEPT MAISON MARTIN MARGIELA | PHOTOGRAPHY ARCHIVES MAISON MARTIN MARGIELA, MARINA FAUST AND JONATHAN HALLAM | i-D NO.269 | SEPTEMBER 2006

I DON'T WORK FOR MONEY I WORK FOR ART | CONCEPT MAISON MARTIN MARGIELA | PHOTOGRAPHY ARCHIVES MAISON MARTIN MARGIELA, MARINA FAUST AND JONATHAN HALLAM | i-D NO.269 | SEPTEMBER 2006

Marina Faust: Numero Magazine, Japan

Marina Faust is an artist and photographer.