Сергей Сезонов

Сергей Сезонов

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Сергей Сезонов
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30 plate suji bachi kabuto By Moriguchi ju Neo Yasumasa kore tsukuru, mid Edo Period, 17th-18th century, zenshozan form mounted with a six-stage mixed-metal tehen kanamono, the down-turned mabisashi secured by three iron rivets, oharaidate and a silvered maedate in the form of fundo (weight for scales), shikoro of three-lame itamono ko manju style black-lacquered and laced in alternate pale mauve and white kebiki odoshi, the fukigaeshi covered in printed leather and bearing a silvered mon.

30 plate suji bachi kabuto By Moriguchi ju Neo Yasumasa kore tsukuru, mid Edo Period, 17th-18th century, zenshozan form mounted with a six-stage mixed-metal tehen kanamono, the down-turned mabisashi secured by three iron rivets, oharaidate and a silvered maedate in the form of fundo (weight for scales), shikoro of three-lame itamono ko manju style black-lacquered and laced in alternate pale mauve and white kebiki odoshi, the fukigaeshi covered in printed leather and bearing a silvered mon.

32 ken suji bachi kabuto by Saotome Iehisa, 18th century, certificate:Japan Kacchubugu (Japanese armor research preservation society).

32 ken suji bachi kabuto by Saotome Iehisa, century, certificate:Japan Kacchubugu (Japanese armor research preservation society).

Sixteen-plate so-fukurin kabuto, somewhat in akoda form [swelling towards the back] signed Joshu no ju Saotome Iesada [Saotome Iesada of Joshu province], well mounted with gilt-copper shinodare to the front, side and two of the rear plates, fukurin [edging] to the suji [flanges] and large igaki, tehen-kanamono [fitting in the top of the bowl] of six tiers in mixed metal, russet-iron mabisashi [peak] and haraidate [crest-holder], shakudo fukurin [edging] and gilt sakura-byo [cherry rivets].

Sixteen-plate so-fukurin kabuto, somewhat in akoda form [swelling towards the…