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Cover box with gesso and patterned paper. Use stencil with texture paste, then distress paint over the top to add color.

October Artistic Outpost Blog Hop

Cover box with gesso and patterned paper. Use stencil with texture paste, then distress paint over the top to add color.

John Smart (ca. 1740 - 1811) Portrait miniature of Mrs. Russell, 1781

John Smart (ca. 1740 - 1811) Portrait miniature of Mrs. Russell, 1781

Tansen Collection. I cannot find out how this portrait is related to the several sites that mention the Tansen Collection. However, the blog.catherinedelors.com pictures it and describes it as an 18th century portrait of an unknown lady. Catherine Delors has written a charming article about Jane Austen's love of portrait miniatures and the many instances in which they figure in her novels.

Tansen Collection. I cannot find out how this portrait is related to the several sites that mention the Tansen Collection. However, the blog.catherinedelors.com pictures it and describes it as an 18th century portrait of an unknown lady. Catherine Delors has written a charming article about Jane Austen's love of portrait miniatures and the many instances in which they figure in her novels.

Portrait of a Man in a White Coat, miniature by Richard Cosway. Watercolor on ivory. (1790)

Portrait of a Man in a White Coat, miniature by Richard Cosway. Watercolor on ivory. (1790)

Фотографии Ирины Кожиной

Фотографии Ирины Кожиной

Елена Олейникова

Елена Олейникова

A Lady called Mrs. E. Monro, wearing black dress with sleeves slashed to reveal white, white lace collar, a wide-brimmed plumed hat over her powdered hair, George Engleheart

A Lady called Mrs. E. Monro, wearing black dress with sleeves slashed to reveal white, white lace collar, a wide-brimmed plumed hat over her powdered hair, George Engleheart

Pink hair really appeared in the eighteenth century, and not necessarily in frivolous French women. On the miniature 1784 in her hair that color poses an Englishwoman, Mary Lewin Mary Lewin by John Smart La reine de rétro : Zachwycający sierpień.

Pink hair really appeared in the eighteenth century, and not necessarily in frivolous French women. On the miniature 1784 in her hair that color poses an Englishwoman, Mary Lewin Mary Lewin by John Smart La reine de rétro : Zachwycający sierpień.

Portrait of Anna Walmesley, by Andrew Plimer, pupil of Richard Cosway. Watercolor on ivory. (1795)

Portrait of Anna Walmesley, by Andrew Plimer, pupil of Richard Cosway. Watercolor on ivory. (1795)

Richard Cosway - A Gentleman

Richard Cosway - A Gentleman


Другие идеи
John Smart (ca. 1740 - 1811) Portrait miniature of Mrs. Russell, 1781

John Smart (ca. 1740 - 1811) Portrait miniature of Mrs. Russell, 1781

The French lesson by Hallie Rubenhold

The French lesson by Hallie Rubenhold

Portrait of a Man in a White Coat, miniature by Richard Cosway. Watercolor on ivory. (1790)

Portrait of a Man in a White Coat, miniature by Richard Cosway. Watercolor on ivory. (1790)

JOHN SMART (BRITISH, 1742/1743 - 1811) Portrait of Mary Lewin, née Hale (1768-1837) She is probably wearing pink or red hair powder.

JOHN SMART (BRITISH, 1742/1743 - 1811) Portrait of Mary Lewin, née Hale (1768-1837) She is probably wearing pink or red hair powder.

John Dyer Collier, miniature by George Engleheart, contemporary of Richard Cosway. Watercolor on ivory. (1785)

John Dyer Collier, miniature by George Engleheart, contemporary of Richard Cosway. Watercolor on ivory. (1785)

John Smart: “A Lady, wearing a low-cut pearl-bordered yellow bodice with mauve bow, fur-bordered mauve dress with jewelled pearl and sapphire clasp, embroidered lace collar, hair curled and pin-powdered and decorated with white ostrich feather," 1785

John Smart: “A Lady, wearing a low-cut pearl-bordered yellow bodice with mauve bow, fur-bordered mauve dress with jewelled pearl and sapphire clasp, embroidered lace collar, hair curled and pin-powdered and decorated with white ostrich feather," 1785

Portrait of Anna Walmesley, by Andrew Plimer, pupil of Richard Cosway. Watercolor on ivory. (1795)

Portrait of Anna Walmesley, by Andrew Plimer, pupil of Richard Cosway. Watercolor on ivory. (1795)

Елена Олейникова

Елена Олейникова

Наталья Родина 7 состариваний в одном флаконе - YouTube

Наталья Родина 7 состариваний в одном флаконе - YouTube

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