Tarkovski

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Poet Arseny Tarkovsky with his son Andrei, 1930s

Poet Arseny Tarkovsky with his son Andrei, 1930s

Ivan's Childhood, by Andrei Tarkovski (1962)

Ivan's Childhood, by Andrei Tarkovski (1962)

tarkovsky’s the mirror (1975)

tarkovsky’s the mirror (1975)

Gueorgui Pinkhassov USSR. Russia. Moscow. Russian film director Andreï TARKOVSKY on the set of "Stalker".

Gueorgui Pinkhassov USSR. Russia. Moscow. Russian film director Andreï TARKOVSKY on the set of "Stalker".

tarkovsky, carta d'identita' francese

tarkovsky, carta d'identita' francese

Andrei Tarkovsky

Andrei Tarkovsky

Andreï Tarkovski sur le tournage d'Andreï Roublev

Andreï Tarkovski sur le tournage d'Andreï Roublev

Larissa et Andrei Tarkovsky, Cannes 1983 (photograph by Xavier Lambours)

Larissa et Andrei Tarkovsky, Cannes 1983 (photograph by Xavier Lambours)

andreiarsenyevich: “ Tarkovsky and set designer Aleksandr Boim while looking for locations for Stalker (1979), in Uzbekistan and Tajikstan, 1976 ”

andreiarsenyevich: “ Tarkovsky and set designer Aleksandr Boim while looking for locations for Stalker (1979), in Uzbekistan and Tajikstan, 1976 ”

andreiarsenyevich: “ Tarkovsky and set designer Aleksandr Boim while looking for locations for Stalker (1979), in Uzbekistan and Tajikstan, 1976 ”

andreiarsenyevich: “ Tarkovsky and set designer Aleksandr Boim while looking for locations for Stalker (1979), in Uzbekistan and Tajikstan, 1976 ”


Другие идеи
tarkovsky, carta d'identita' francese

tarkovsky, carta d'identita' francese

"Иваново детство", Андрей Тарковски

"Иваново детство", Андрей Тарковски

Preparando la escena. Imagen del film The Sacrifice (Swedish: "Offret"), 1986. Dirigida por Andrei Tarkovsky.

Preparando la escena. Imagen del film The Sacrifice (Swedish: "Offret"), 1986. Dirigida por Andrei Tarkovsky.

Andrei Tarkovsky - Stalker (1979).  My Absolute Favorite And The Reason Why I Study Film.

Andrei Tarkovsky - Stalker (1979). My Absolute Favorite And The Reason Why I Study Film.

“  Young Andrei and his mother, Maria Vishnyakova, Yurevets (1935). ”

“ Young Andrei and his mother, Maria Vishnyakova, Yurevets (1935). ”

Each one of Andrei Tarkovsky’s films is an intense exploration of the possibilities cinema offers to storytellers. They also ask much of the viewer. With each invitation into their cinematic...

Each one of Andrei Tarkovsky’s films is an intense exploration of the possibilities cinema offers to storytellers. They also ask much of the viewer. With each invitation into their cinematic...

Sculpting in Time by Andrey Tarkovsky

Sculpting in Time by Andrey Tarkovsky

"Andrei Rublev" Anatoly Solonitsyn & Andrei Tarkovsky

"Andrei Rublev" Anatoly Solonitsyn & Andrei Tarkovsky

The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good. - Andrei Tarkovsky

The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good. - Andrei Tarkovsky

Andrei Tarkovsky with his wife Irma Raush at the Venice Film festival, 1962, where he won the Golden Lion award for Ivan’s Childhood.

Andrei Tarkovsky with his wife Irma Raush at the Venice Film festival, 1962, where he won the Golden Lion award for Ivan’s Childhood.

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