михаил

михаил

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Mynah Bird on Pine Branch. Artist/maker unknown, Japanese. Edo Period. 18th century. Ink on paper; mounted as a hanging scroll. Philadelphia Museum of Art.

Mynah Bird on Pine Branch. Artist/maker unknown, Japanese. Edo Period. 18th century. Ink on paper; mounted as a hanging scroll. Philadelphia Museum of Art.

Драконы. Графика 15-19 век. Обсуждение на LiveInternet - Российский Сервис Онлайн-Дневников

“ St Michael slaying the dragon; winged whole-length figure, standing on the dragon as he drives the spear through the monster’s mouth; another impression, stained. Engraving Print made by Martin Schongauer, ”

#Artist: #Kitagawa #Utamaro #Print: #Utamaro #Shunga Dates: 1790s Dimensions: 15.0 in,9.875 in Medium: #Japanese #woodblock #print #ukiyoe #erotica #lovers #couple #cheektocheek #omg #tattoo #japaneseculture #antique #vintage #drawing #design #art #woodcut

#Artist: #Kitagawa #Utamaro #Print: #Utamaro #Shunga Dates: 1790s Dimensions: 15.0 in,9.875 in Medium: #Japanese #woodblock #print #ukiyoe #erotica #lovers #couple #cheektocheek #omg #tattoo #japaneseculture #antique #vintage #drawing #design #art #woodcut

Guo Xi(郭熙) , 郭熙 关山春雪图 台北故宫博物院. 中国山水画取景构图的“三远”法则是郭熙首先总结出来的。“三远”即高远、深远和平远。《窠石平远图》标明了所采用的是“平远”法。郭熙解释说:“自近山而望远山,谓之平远”。画中取景,视平线在下部约三分之一处,平视中使景物集中。自前景透过中景而望远景,层次分明,表现出纵深的空间距离,画面虽着墨不多,但境界阔 大,气势雄壮,使人观之精神振奋。现今能见到的郭熙作品并不多,真正可信的不过六、七幅。

Guo Xi(郭熙) , 郭熙 关山春雪图 台北故宫博物院. 中国山水画取景构图的“三远”法则是郭熙首先总结出来的。“三远”即高远、深远和平远。《窠石平远图》标明了所采用的是“平远”法。郭熙解释说:“自近山而望远山,谓之平远”。画中取景,视平线在下部约三分之一处,平视中使景物集中。自前景透过中景而望远景,层次分明,表现出纵深的空间距离,画面虽着墨不多,但境界阔 大,气势雄壮,使人观之精神振奋。现今能见到的郭熙作品并不多,真正可信的不过六、七幅。