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Pina bausch

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Cassie da Costa writes about productions of Pina Bausch’s “The Rite of Spring” and “Café Müller” at BAM, in Brooklyn.

Cassie da Costa writes about productions of Pina Bausch’s “The Rite of Spring” and “Café Müller” at BAM, in Brooklyn.

Pina Bausch in CAF ... M <ller © Foto Ulli Weiss

Le Tanztheater de Wuppertal, la troupe de Pina Bausch, se produit dans les arènes avec les 120 musiciens de l'orchestre des Siècles. Événement !

"Entre mesas e cadeiras desertas, um corpo vestido de branco. Atravessa o espaço de olhos cerrados e lança-se contra a parede cinzenta. Uma e outra vez. Corpo cansado, indefeso. Encosta-se, enrola-se, abraça-a como se fosse sua a pele do muro. Não é. É a dor, consciente de si. Abandono. Cegueira. Outro olhar não será possível sobre o terrível esplendor da perda, num palco tão cheio de ausência. [...]" - Pina Bausch

"Entre mesas e cadeiras desertas, um corpo vestido de branco. Atravessa o espaço de olhos cerrados e lança-se contra a parede cinzenta. Uma e outra vez. Corpo cansado, indefeso. Encosta-se, enrola-se, abraça-a como se fosse sua a pele do muro. Não é. É a dor, consciente de si. Abandono. Cegueira. Outro olhar não será possível sobre o terrível esplendor da perda, num palco tão cheio de ausência. [...]" - Pina Bausch

"We were dysfunctional, the therapist diagnosed; a deliberately destructive labyrinth of erotic power play, this push and pull. But soon we learned even our dysfunction was a function of love, that the mystery of turning madness into true love was nothing more than surrender, that we may rise above our terrors and encumberences, carried on the shoulders of an ideal greater than our best and worst selves. And that's how we've made it; that's how we make it." ~♧dammy o'

"We were dysfunctional, the therapist diagnosed; a deliberately destructive labyrinth of erotic power play, this push and pull. But soon we learned even our dysfunction was a function of love, that the mystery of turning madness into true love was nothing more than surrender, that we may rise above our terrors and encumberences, carried on the shoulders of an ideal greater than our best and worst selves. And that's how we've made it; that's how we make it." ~♧dammy o'

Pina Bausch - I had the great fortune to have met her when I was a young passionate dancer. I was truly inspired.

German choreographer Pina Bausch has died. A visionary choreographer and creator of the Tanztheater Wuppertal, take a whirl through her work

For three decades Pina Bausch and her Tanztheater Wuppertal pushed the boundaries of dance in an attempt to expose the harsh reality of the human condition. Her works were interdisciplinary masterp...

For three decades Pina Bausch and her Tanztheater Wuppertal pushed the boundaries of dance in an attempt to expose the harsh reality of the human condition. Her works were interdisciplinary masterp…

Silvia Lelli Pina Bausch, Venice 1983

Silvia Lelli Pina Bausch, Venice 1983 “I’m not interested in how people move; I’m interested in what makes them move.” Pina Bausch

Watch popular Pina bausch videos

#tht to our podcast with Norwegian choreographer Alan Lucien Øyen, where we discuss the work and company of one of the most important choreographers of the twentieth century, Pina Bausch 🖤
Dans son regard, se cache une personnalité forte et une femme mystérieuse avec un “air aristocratique, tendre et cruel à la fois, mystérieux et familier » comme la décrivait Federico Fellini. Elle avait le don de captiver le public et personne n’était insensible à son grand charisme. Elle sera d’ailleurs à la fois crainte mais aussi admirée de ses danseurs.    Pina Bausch a su apporter ce souffle novateur dans la chorégraphie et a révolutionné la danse moderne.
pina - pulpo
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