Giorgio vasari

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Giorgio Vasari | biography - Italian artist and author | Britannica.com Giorgio Vasari, Uffizi Gallery, Peter Paul Rubens, Italian Painters, Art Historian, Oil Painting Reproductions, Caravaggio, First Art, Italian Artist

Giorgio Vasari, (born July 30, 1511, Arezzo [Italy]—died June 27, 1574, Florence), Italian painter, architect, and writer who is best known for his important biographies of Italian Renaissance artists. When still a child, Vasari was the pupil of Guglielmo de Marcillat, but his decisive training was in Florence, where he enjoyed the friendship and patronage of the Medici family, trained within the circle of Andrea del Sarto, and became a lifelong admirer of Michelangelo. As an artist Vasari…

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The Tudor Age on Instagram: "#OTD 30th July 1511 Giorgio Vasari, Italian painter, historian and architect was born in Arezzo, southeast of Florence. His written work Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects) which he dedicated to Cosimo I de' Medici, Grand Duke of Tuscany, was the first to use the term Renaissance in print. His artistic works included: The Garden of Gethsemane Six Tuscan Poets His architect Garden Of Gethsemane, Beard Art, Giorgio Vasari, Italian Sculptors, Italian Painters, San Giovanni, The Tudor, Western Art, Famous Artists

The Tudor Age on Instagram: "#OTD 30th July 1511 Giorgio Vasari, Italian painter, historian and architect was born in Arezzo, southeast of Florence. His written work Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects) which he dedicated to Cosimo I de' Medici, Grand Duke of Tuscany, was the first to use the term Renaissance in print. His artistic works included: The Garden of Gethsemane Six Tuscan Poets His architect

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Julia Margaret Cameron, William Hogarth, Artemisia Gentileschi, Giorgio Vasari, World Library, Fra Angelico, William Blake, Penguin Classics, Sistine Chapel

Beginning with Cimabue and Giotto in the thirteenth century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo. Great men, and their immortal works, are brought vividly to life, as Vasari depicts the young Giotto scratching his first drawings on stone; Donatello gazing at Brunelleschi's crucifix; and Michelangelo's painstaking work on the Sistine Chapel, harassed by the impatient Pope Julius II. The Lives also convey much…

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