Georgia o keeffe

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O'Keeffe was initially attracted to flowers due to their intricate forms and colors. She experimented with forms and approaches before settling on a close-up approach in depicting them, which brought out the delicate details and forms of each flower.  Georgia O'Keeffe. Calla Lilies, 1924. Oil on canvas. Private collection. © Georgia O'Keeffe Museum Georgia O'keefe Art, Georgia O Keeffe Paintings, O Keeffe Paintings, Georgia Okeeffe, Georgia Okeefe, Foto Transfer, O Keefe, Summer Color Palette, O Keeffe

O'Keeffe was initially attracted to flowers due to their intricate forms and colors. She experimented with forms and approaches before settling on a close-up approach in depicting them, which brought out the delicate details and forms of each flower. Georgia O'Keeffe. Calla Lilies, 1924. Oil on canvas. Private collection. © Georgia O'Keeffe Museum

Calvin Tomkins | The New Yorker Haarlem, Georgia O'keefe Art, Georgia O Keeffe Paintings, O Keeffe Paintings, Artemisia Gentileschi, Fra Angelico, Helen Frankenthaler, Georgia Okeefe, Berthe Morisot

Calvin Tomkins has been a staff writer for The New Yorker since 1960. He wrote his first fiction piece for the magazine in 1958 and his first nonfiction piece in 1962. His many profile subjects have included Marcel Duchamp, John Cage, Robert Rauschenberg, Merce Cunningham, Buckminster Fuller, Philip Johnson, Julia Child, Georgia O’Keeffe, Leo Castelli, Frank Stella, Christo and Jeanne-Claude, Damien Hirst, Richard Serra, Jasper Johns, Vija Celmins, David Hammons, Pipilotti Rist, Peter Doig…