Yury Abramov

Yury Abramov

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FOR THIS CATALOG SHOT OF ANTI-GLARE COMPUTER GLASSES, THE PHOTOGRAPHER USED THREE LIGHT MODIFIERS. "I CLIPPED TWO LAYERS OF LEE FULL WHITE DIFFUSION MATERIAL IN FRONT OF THE SOFT BOX FOR A SUPER, SUPER SOFT SOURCE," SAYS PHOTOGRAPHER JOHN SCHULZ. HE ALSO MODIFIED HIS BRONCOLOR HAZYLIGHT SOFT BOX TO ACCEPT AN INTERNAL PROFOTO PRO GLOBE OVER THE FLASH TUBE TO PRODUCE A PERFECTLY EVEN LIGHT SOURCE WITHOUT A CENTRAL HOT SPOT.

FOR THIS CATALOG SHOT OF ANTI-GLARE COMPUTER GLASSES, THE PHOTOGRAPHER USED THREE LIGHT MODIFIERS. "I CLIPPED TWO LAYERS OF LEE FULL WHITE DIFFUSION MATERIAL IN FRONT OF THE SOFT BOX FOR A SUPER, SUPER SOFT SOURCE," SAYS PHOTOGRAPHER JOHN SCHULZ. HE ALSO MODIFIED HIS BRONCOLOR HAZYLIGHT SOFT BOX TO ACCEPT AN INTERNAL PROFOTO PRO GLOBE OVER THE FLASH TUBE TO PRODUCE A PERFECTLY EVEN LIGHT SOURCE WITHOUT A CENTRAL HOT SPOT.

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