The goal of this setup is to create lighting that has both high key elements (glowing background) and dramatic shadows.

Creative Studio Lighting: High Key Wrap Around With Grid

The goal of this setup is to create lighting that has both high key elements (glowing background) and dramatic shadows.

pony makeup artist - Google Search                                                                                                                                                     More

pony makeup artist - Google Search More

Les Photos de Mode et le Maquillage par Points de Julia Kuzmenko McKim (1)

Les Photos de Mode et le Maquillage par Points de Julia Kuzmenko McKim

Les Photos de Mode et le Maquillage par Points de Julia Kuzmenko McKim (1)

Jill Greenberg technique

Jill Greenberg technique

Check out these helpful GoPro photography tips to get the most out of your new action camera. From the best mounts to creative ways of getting the shot!

Check out these helpful GoPro photography tips to get the most out of your new action camera. From the best mounts to creative ways of getting the shot!

Different lighting techniques

Different lighting techniques

..LAS POSIBILIDADES DE TOMARTE UNA BUEN FOTOGRAFÍA SON INFINITAS ASÍ COMO LA POSICIÓN EN QUE ELIJAS... MÁS LO ELEMENTAL Y QUÉ MÁS IMPORTA ES SIEMPRE POR LO GENERAL TÚ ACTITUD....❤️ MIGUEL ÁNGEL GARCÍA.

..LAS POSIBILIDADES DE TOMARTE UNA BUEN FOTOGRAFÍA SON INFINITAS ASÍ COMO LA POSICIÓN EN QUE ELIJAS... MÁS LO ELEMENTAL Y QUÉ MÁS IMPORTA ES SIEMPRE POR LO GENERAL TÚ ACTITUD....❤️ MIGUEL ÁNGEL GARCÍA.

Colourful studio portraits ~ Techniques and Pictures

Colourful studio portraits ~ Techniques and Pictures

Starting with two softboxes (A and B) placed as close as possible to his subject, Art added a silver Lastolite Skylite reflector behind her (C) to highlight the hair and shoulders. To increase the portrait’s intimate feel, he posed her against a wall of black seamless (D). He then used a 2:1 lighting ratio, with the larger, top half of the clamshell (A) twice as bright as the bottom. This helped him produce some shadows in the lower half of the portrait to set off the face.

Starting with two softboxes (A and B) placed as close as possible to his subject, Art added a silver Lastolite Skylite reflector behind her (C) to highlight the hair and shoulders. To increase the portrait’s intimate feel, he posed her against a wall of black seamless (D). He then used a 2:1 lighting ratio, with the larger, top half of the clamshell (A) twice as bright as the bottom. This helped him produce some shadows in the lower half of the portrait to set off the face.

F stoppers

F stoppers

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