A Circle in Alaska - Ричард Лонг

A Circle in Alaska - Ричард Лонг

Richard Long - Circle in Alaska, 1977

Richard Long - Circle in Alaska, 1977

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Richard Long: Driftwood, 1975. Herbert Foundation, Gent.

Richard Long: Driftwood, 1975. Herbert Foundation, Gent.

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Spruce Goose Hangar - купол для фанерного аэроплана Говарда Хьюза "Spruce Goose". Лонг Бич, 1976

Spruce Goose Hangar - купол для фанерного аэроплана Говарда Хьюза "Spruce Goose". Лонг Бич, 1976

a line made by walking, 1967 • richard long  This reminds me of the path from my house to my grandmothers.

a line made by walking, 1967 • richard long This reminds me of the path from my house to my grandmothers.

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Richard Long: a straight line. Photograph taken at the British Museum, London.

Richard Long: a straight line. Photograph taken at the British Museum, London.

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River Po Line by Richard Long. This man loves paths and circles!

River Po Line by Richard Long. This man loves paths and circles!

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Richard Long 13                                                                                                                                                                                 More

Richard Long 13 More

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Richard LongSAHARA LINE1988  http://www.richardlong.org/Sculptures/2011sculptures/sahaline.html

Richard LongSAHARA LINE1988 http://www.richardlong.org/Sculptures/2011sculptures/sahaline.html

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Earthworks of Richard Long | For Richard Long the art of working with nature is almost always about the journey. He describes some of his works as walks themselves, and other works as sculptures made along his way. In many cases he appropriates natural materials to create new configurations, designs and patterns from them. In others he further splits these geometries in a return to more naturalistic forms.

Earthworks of Richard Long | For Richard Long the art of working with nature is almost always about the journey. He describes some of his works as walks themselves, and other works as sculptures made along his way. In many cases he appropriates natural materials to create new configurations, designs and patterns from them. In others he further splits these geometries in a return to more naturalistic forms.

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