Mme. Jeanne Paquin (French, 1869), House of Paquin (French, 1891-1956). Opera coat, 1912. The Metropolitan Museum of Art, New York. Gift of Mrs. Edwin Stewart Wheeler, 1956 (C.I.X.56.2.1)

Mme. Jeanne Paquin (French, 1869), House of Paquin (French, 1891-1956). Opera coat, 1912. The Metropolitan Museum of Art, New York. Gift of Mrs. Edwin Stewart Wheeler, 1956 (C.I.X.56.2.1)

Opera coat As the first couturière to advertise her fashion house by taking a tableau of models to operas and races uniformed in her concoctions, Madame Joseph Paquin nodded incessantly to the showman's dramatic line and the aristocracy's love of luxurious tactile material. This opera coat, perhaps extensively modeled after the columnar shapes and mythical planar designs of the Orientalist sensibility, echoes the ouevre of créateur Paul Poiret and the theatricality of the Leon Bakst's…

Opera coat As the first couturière to advertise her fashion house by taking a tableau of models to operas and races uniformed in her concoctions, Madame Joseph Paquin nodded incessantly to the showman's dramatic line and the aristocracy's love of luxurious tactile material. This opera coat, perhaps extensively modeled after the columnar shapes and mythical planar designs of the Orientalist sensibility, echoes the ouevre of créateur Paul Poiret and the theatricality of the Leon Bakst's…

1911г. (зима), Франция  Designer: Jeanne Paquin Brand: Paquin  Вечернее платье в египетской стилистике: стилизованное изображение скарабея на поясе и асимметричная юбка. Это хороший пример восточного влияния на моду, которое ощущалось в то время. Жанна Пакуин завоевал популярность среди женщин высшего общества и актрис, потому что ее платья, которые всегда исполнялись исключительно под заказ, всегда были великолепны и романтичны.

1911г. (зима), Франция Designer: Jeanne Paquin Brand: Paquin Вечернее платье в египетской стилистике: стилизованное изображение скарабея на поясе и асимметричная юбка. Это хороший пример восточного влияния на моду, которое ощущалось в то время. Жанна Пакуин завоевал популярность среди женщин высшего общества и актрис, потому что ее платья, которые всегда исполнялись исключительно под заказ, всегда были великолепны и романтичны.

Hood  1860-1865  The Metropolitan Museum of Art

Hood 1860-1865 The Metropolitan Museum of Art

Evening coat 1920s (attributed to Paul Poiret) designer vintage fashion red black suit outfit dress women's museum

Evening coat 1920s (attributed to Paul Poiret) designer vintage fashion red black suit outfit dress women's museum

Jeanne Paquin - Manteau Opéra - été - 1912

Jeanne Paquin - Manteau Opéra - été - 1912

1909, France - Mantle by Jean-Philippe Worth - Hand-embroidered silk and hand-sewn velvet

Mantle

1909, France - Mantle by Jean-Philippe Worth - Hand-embroidered silk and hand-sewn velvet

This is an example of a hobble skirt, which Poiret made very popular. These were so tight around the legs that women literally had to hobble to walk. This particular hobble skirt was made by Paquin.

This is an example of a hobble skirt, which Poiret made very popular. These were so tight around the legs that women literally had to hobble to walk. This particular hobble skirt was made by Paquin.

Paul Poiret (French, 1879-1944), Dress with Attached Wrap, ca. 1925. Silk satin weave with painted velvet decoration. Center back length: 113 cm (44 1/2 inches). Gift of the Estate of Mrs. Edith Stuyvesant Vanderbilt Gerry 59.031.3. RISD Museum, Providence, RI.

Paul Poiret (French, 1879-1944), Dress with Attached Wrap, ca. 1925. Silk satin weave with painted velvet decoration. Center back length: 113 cm (44 1/2 inches). Gift of the Estate of Mrs. Edith Stuyvesant Vanderbilt Gerry 59.031.3. RISD Museum, Providence, RI.

Coat (Yelek) | first half 19th century | Turkish

Coat (Yelek) | first half 19th century | Turkish

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