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Jennifer Thompson's brilliant solution for invisible lacing inside the bodice without rings or holes!

Jennifer Thompson's brilliant solution for invisible lacing inside the bodice without rings or holes!

http://www.elle.co.jp/fashion/pick/1408_paris_metiers_d_arts/(detail)/2

http://www.elle.co.jp/fashion/pick/1408_paris_metiers_d_arts/(detail)/2

Отделка жакетов CHANEL (трафик) / Декор / ВТОРАЯ УЛИЦА

Отделка жакетов CHANEL (трафик) / Декор / ВТОРАЯ УЛИЦА

Charles James (American, born Great Britain, 1906–1978). Muslin (detail), 1946. Machine– and hand–sewn white cotton muslin, hand–marked grain and seam lines in red, blue, and lead pencil. Photo © Nicholas Alan Cope. #ManusxMachina #CostumeInstitute

Charles James (American, born Great Britain, 1906–1978). Muslin (detail), 1946. Machine– and hand–sewn white cotton muslin, hand–marked grain and seam lines in red, blue, and lead pencil. Photo © Nicholas Alan Cope. #ManusxMachina #CostumeInstitute

Charles James - I almost think that the muslin with the detail pencil lines in more beautiful than the finished bodice.

Charles James - I almost think that the muslin with the detail pencil lines in more beautiful than the finished bodice.

Evening jacket (image 4) | Charles James | American | 1930s | silk | Metropolitan Museum of Art | Accession #: 2013.288

Evening jacket (image 4) | Charles James | American | 1930s | silk | Metropolitan Museum of Art | Accession #: 2013.288

James, a piano prodigy, manipulated favorite arrangements of structural details into varied compositions, much like musical themes and variations. The neckline, halter, and cap sleeves of this lithe crepe dress are a riff on the designer’s predilection for splitting and overlapping pattern pieces and their extensions.

James, a piano prodigy, manipulated favorite arrangements of structural details into varied compositions, much like musical themes and variations. The neckline, halter, and cap sleeves of this lithe crepe dress are a riff on the designer’s predilection for splitting and overlapping pattern pieces and their extensions.

Evening bodice (image 1) | Charles James | American | 1937-1939 | satin | Victoria & Albert Royal Museum | Museum #: T.289-1978

Evening bodice (image 1) | Charles James | American | 1937-1939 | satin | Victoria & Albert Royal Museum | Museum #: T.289-1978

Evening bodice, Charles James, 1937-39, satin with cotton interlining

Evening bodice, Charles James, 1937-39, satin with cotton interlining

Evening bodice (image 2) | Charles James | American | 1937-1939 | satin | Victoria & Albert Royal Museum | Museum #: T.289-1978

Evening bodice (image 2) | Charles James | American | 1937-1939 | satin | Victoria & Albert Royal Museum | Museum #: T.289-1978