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Kokoshnik

Kokoshnik

Репродукции картин

Репродукции картин

Репродукции картин

Репродукции картин

Репродукции картин

Репродукции картин

Репродукции картин

Репродукции картин

Татьяна Азовцева

Татьяна Азовцева

It's done ✔ Готово! - Полезные идеи

It's done ✔ Готово! - Полезные идеи

Новости

Новости

Новости

Новости

Репродукции картин

Репродукции картин


Другие идеи
"The Apotheosis of War" by Vasily Vereshchagin, 1871. ~ "..pyramids of skulls like this were left near destroyed towns by conquerors such as Tamerlane. Vereshchagin imparts uniqueness to most of the skulls, and yet at the same time there are just so many of them. Vereshchagin etched the phrase, “Dedicated to all great conquerors, past, present and future”, into the frame of the work.

"The Apotheosis of War" by Vasily Vereshchagin, 1871. ~ "..pyramids of skulls like this were left near destroyed towns by conquerors such as Tamerlane. Vereshchagin imparts uniqueness to most of the skulls, and yet at the same time there are just so many of them. Vereshchagin etched the phrase, “Dedicated to all great conquerors, past, present and future”, into the frame of the work.

Vespers. Bryullov (Bryullo) Karl Pavlovich. Vespers is in the evening. Could we tell what time of day the image depicted if the title was lost? How? Does the fact that it is vespers matter here? Why?

Vespers. Bryullov (Bryullo) Karl Pavlovich. Vespers is in the evening. Could we tell what time of day the image depicted if the title was lost? How? Does the fact that it is vespers matter here? Why?

selfie stick book of hours, Italy ca. 1480 BL, Yates Thompson 7, fol. 174r

selfie stick book of hours, Italy ca. 1480 BL, Yates Thompson 7, fol. 174r

Future Pilots by Alexander Deineka

Future Pilots by Alexander Deineka

Jan van Eyck, Crucifixion and Last Judgement diptych (detail of Last Judgement), 1430s-40s, Metropolitan Museum of Art

Jan van Eyck, Crucifixion and Last Judgement diptych (detail of Last Judgement), 1430s-40s, Metropolitan Museum of Art

Юрий Савельевич Злотников. Витрина

Юрий Савельевич Злотников. Витрина

Fra Angelico. The Last Judgement. Detail: The Damned.  Giovanni da Fiesole, al secolo Guido di Pietro (Vicchio, 1395 circa – Roma, 18 febbraio 1455),

Fra Angelico. The Last Judgement. Detail: The Damned. Giovanni da Fiesole, al secolo Guido di Pietro (Vicchio, 1395 circa – Roma, 18 febbraio 1455),

Beautiful detail to the dress in this painting. The Arranged Marriage by V.V.Pukirev, 1862

Beautiful detail to the dress in this painting. The Arranged Marriage by V.V.Pukirev, 1862

Countess Mordvinova's Wood. Peterhof Why use an old man in a large wood here?

Countess Mordvinova's Wood. Peterhof Why use an old man in a large wood here?

View of the White Hall of the Winter Palace, St Petersburg Zaryanko Sergei Konstantinovich. How does the representation of empty, ornamental spaces supposed to make the viewer feel?

View of the White Hall of the Winter Palace, St Petersburg Zaryanko Sergei Konstantinovich. How does the representation of empty, ornamental spaces supposed to make the viewer feel?

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