Oxana Rapoport

Oxana Rapoport

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Oxana Rapoport
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Sampler, by Sarah Hatton McPhail, 1828, Norfolk, VA. From the collections of the Museum of Early Southern Decorative Arts (MESDA)

Sampler, by Sarah Hatton McPhail, Norfolk, VA. From the collections of the Museum of Early Southern Decorative Arts (MESDA) I have the reproduction chart/kit for this.done by The Essamplaire

EMMA BLISS 1838.  Sometimes the smallest details get to me.  Emma. Bliss. Her. Work. (a period after every word there at the bottom.)  Reminds me of my son, and when he was learning to spell, he put a silent e at the end of every word, because, I mean, how were you supposed to know whether or not a silent letter was supposed to be there or not?

EMMA BLISS 1838. Sometimes the smallest details get to me. Emma. Bliss. Her. Work. (a period after every word there at the bottom.) Reminds me of my son, and when he was learning to spell, he put a silent e at the end of every word, because, I mean, how were you supposed to know whether or not a silent letter was supposed to be there or not?

Embroidered sampler ca. 1791,  Rebekah S. Munro  (1780 -1803), American, New England, Providence RI; Silk on linen; 15 3/4 x 11 3/4 in. Later style associated with Miss Balch's school.  Verse states that a young woman should divide her time between reading, sewing, and writing, an indication that by the end of the eighteenth century, some families considered intellectual pursuits as important as sewing.  - The Met

Embroidered sampler Maker: Rebekah S. Munro Date: ca. 1791 Geography: New England, Providence, Rhode Island, United States Culture: American Medium: Embroidered silk on linen Dimensions: 15 x 11 in. x cm) Classification: Textiles

ELIZABETH ELINENDORPH

Textiles (Needlework) - Sampler (Pictorial sampler) - Search the Collection - Winterthur Museum