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Dianne Romaine | Installation with Black String (Claremont Studio, 1980) | 2011
Mary Tuma’s exhibition titled ‘Homes for the Disembodied’. Five dresses made from 50 metres of continuous black silk, hung facing the same way. Visually beautiful of course, but it holds a much deeper meaning too; paying tribute to Palestinian women and their strength perceived as mere shadows during the war. The idea of empty dresses evoke a sense of loss or belonging.
William Forsythe: Scattered Crowds (2012). Thousands of white balloons are suspended in the air, accompanied by a wash of music, emphasising “the air-borne landscape of relationships, distance, of humans and emptiness, of coalescence and decision”.